Origamie facile
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origami fleur
Uchiyama is reported as obtaining a patent Avion En Papier Planeur Pliage Facile in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model
achieved solely by folding.
Origami facile
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have made an appearance occasionally, but the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi
Fleur origami
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has been used and one can be certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at Origami Crane Tattoo a Convention in Liverpool. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and we are approaching figurine rather than Origami.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which Bateau En Papier means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
Typically the associated arts are Weaving cloth Origami Star and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of papers each folded to symbolize some part of the creature and then brought Bateaux En Papier+facile collectively. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have appeared for folding a dragon from a number of pieces of different sizes.
Comment faire un avion en papier
In the most extreme mixtures of water and document we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from your single coloring is one side colored and one white or plain. A great deal of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. We can use Comment Dessiner Un Bateau En Papier the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.
